1 a: a divine influence or action on a person believed to qualify him or her to receive and communicate sacred revelation b: the action or power of moving the intellect or emotions c: the act of influencing or suggesting opinions2: the act of drawing in; specifically : the drawing of air into the lungs
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Yesterday was not a writing day, in that I managed to find absolutely no time whatsoever to edit the book, and instead shuffled around doing grown-up things including working and grocery shopping, and some wonderfully not grown-up things like playing D&D with our awesome group of new found friends. However, by the time I got home, well past my bedtime, I collapsed into bed.
So, technically, I didn’t make any progress in the novel.
However, as odd as the day was and, at first sight, too busy to be thinking of anything else than being a mom, an employee, and a friend, I had an oddly imaginative day.
I’m not sure how my brain does this, or why. Maybe it’s a coping mechanism, when I’m overwhelmed by the day-in, day-out drudgery or something. But in the middle of some of the most repetitive, bland work, my brain suddenly turned on. I don’t remember what I was doing exactly, but I got a really cool idea for a series of steampunk short stories. A really, really cool idea (that, if I manage to pull off will be shared of course.) I don’t usually think in short-story bits. By nature I tend to think in book length, so this was a surprise (even the short story here is really just a kitchy little take on a character already in my book).
Then right smack-dab in the middle of our game last night (I had the most abysmal rolls last night–although I love the game, there’s something really annoying about being completely ineffectual during a fight… there was no love for my warlock) something started to crystallize in my brain.
First, there was the seed. A situation. A question. I asked myself a question in my head about a character in the Aldersgate Cycle, Ellinora (the princess), and suddenly I realized I’d been a) writing situations in book one that would be much more suited for book two b) had made her too young c) hadn’t given her enough background to make her as strong as the rest.
I also realized that about 30,000 words of this book in another two narratives needs to be moved out. It’s not like losing it, per se, because I know it’ll be used later. But one of the hard things about juggling a multi-POV narrative is balancing plot with character. I do mean with and not and, too. Unlike a normal, single POV novel, where you only have to worry about one plot, I am in essence balancing about 8. Some of the characters progressions are easy to plot, and their stories simple to intertwine. But as I move out of the Territories characters (Emry, Cora, and Brick) and into the Queensland characters (Kaythra, Ellinora, and Sylvan) the challenges become more intense. I’m dealing with political intrigue now, and plots that are part of years, decades, and in some cases, centuries
Deep. Breath. (Inspiration, perhaps?)
Anyway, essentially there’s a lot of work ahead of me in the weeks to come. But it’s not overwhelming. It’s exciting. These little seeds of thought often sprout into amazingly lovely flowers, if given the time and care. But it’s a lot of maintenance and perseverance. As a writer in the “flail around in the dark until you find some plot” school, and not the “write everything down in a spiral notebook” crowd, I definitely need to find some way to organize myself more thoroughly.
But I’m not overwhelmed. I’m excited. This process has proved to me that I can challenge myself, which is important. Hopefully, the finished project will challenge the readers–albeit in a different way–as well.