I talk about bards more than, say, the normal person. Though I’m far from a skilled bard myself, the importance of music in my writing can’t be stressed enough. Many writers outline, sketch, plot, sit at desks or in parks or at coffee shops and plan, plan, plan, then plan some more. They fill up notebooks with voluminous notes, details, and references. They know exactly what’s going to happen, and when it’s going to happen.

I am jealous of these people inasmuch as, well, that’s not how I work. I’d love to say that I have a Tome somewhere with all the secrets of The Aldersgate Cycle down to which dress Cora is wearing when she… well, you get the idea. But I don’t. I know where the story is going, I have my first draft for that. But the actual details literally, well, appear.

After the birth of my son, I dealt with a lot of uncomfortable issues, postpartum depression being the big troll in my proverbial closet. The world didn’t seem right to me. Creatively I was devoid of inspiration, physically I was exhausted, and emotionally I was numb. It was a scary time. Any person who’s dealt with depression knows it’s a tricky little bastard, and women who’ve fought through PPD know how much of a thief it is. It’s a special kind of cruelty that robs the mother of those months with her child, at least from a mental standpoint, but that’s not my point, exactly.

When Liam was about three months old I started listening to WCPE. This magical station can be heard all the time, from anywhere, but it happens to be located right here in NC. Though I’d always loved Classical music, I don’t think I’d ever taken the time to really, really listen. To notice the variances, the currents, the melodies that meld and grow, twirl and change.

I would drive to my parents’ house almost every day and listen to the station, and during those 20 minute intervals, thing would appear to me. Scenes, conversations, words forming in front of my eyes like some strange spell. And that’s how I’ve been writing The Aldersgate. Although many of the particulars of which composition I was listening to at the time elude me, I know that the words and music are part of the same Source, whatever that Source really is. It’s a bit like going into a trance, but not so deep that one can’t drive. It’s deep, deep thinking.

Sure, it’s a little unusual. But what’s neat is that, over the last few drives, I’ve been thinking about my NaNoWriMo book–and lo and behold, the first few chapters are already written, in between Brahms and Bach; the first scene, especially, is crystal clear. A New England winter, right after the holidays, when the snow is two feet deep, the snowbanks encrusted with salt and grey with mud; you can hear the trees, then, crackle in their frozen state. That’s where it starts.

Classical music has a bum wrap, unfortunately, especially in the younger generation. Many people believe it’s boring, or old fashioned. I tell you it could not be more untrue. The variety of what can be found in Classical music, from period to period, ensures that, somewhere along the way you’ll likely find something that speaks to you. While Bach has always been a preferred composer of mine, I was surprised one day to hear Samuel Barber for the first time–his Adagio for Strings, Opus 12 played on a rainy day as I made my way to Target, and though the details are mundane, the experience was religious. Seriously. I burst into tears.

Just a suggestion. If you’re out there writing, and you’re stuck, and if you’ve not found something interesting, tune in to WCPE. I’m particularly fond of Deana Vassar and David Ballentyne and their shows “Allegro” and “Rise and Shine” respectively. You may find something surprising there between the notes.

I’ve mentioned a few times that my bard, Emry, is most like me of the characters in The Aldersgate Cycle. Well, if there were any naysayers, check this out:

Over the weekend, I inherited two ukuleles, a tenor guitar, and a banjolele. This is in addition to the three guitars, banjo, keyboard, and mandolin. We’ve made our musical instruments into decor here. The pic below shows me with the uke I’ll be playing most (a baritone… which I’m contemplating giving a steampunk makeover) and the mandolin, guitar (Philomena), and banjo behind me.

Not that I can play them all with expert proficiency… but, heh. I love ’em.

Uke, mandolin, guitar, banjo

Uke, mandolin, guitar, banjo

The Alderpod

It’s here!

Alderpod #5 – Chapter Four: The Bard

I am super excited about Podcast #5. I’m learning as I go along here, and have a new microphone that, at first was more headache than anything. But now, with a pop screen I think the quality is much better.

This is the introduction of Emry Roy, the bard in my story. Now, of all my characters, he’s closest to heart for me. He’s one of the characters that when I write, I simply melt into. I don’t have to think it out too much (like with Brick or with Denna), and the writing goes lightning fast. In order to do him justice, I also wanted there to be music to accompany this podcast.

There are two original pieces of music during the podcast. The new theme during opening and closing is literally THE theme; that is, it’s “The Aldersgate” which I wrote with the whole book in mind. Using GarageBand I conducted my own little orchestra. The only piece that isn’t “me”–rather, a loop–is the drum track. Everything else is yours truly. I’m quite happy with it, though I’m by no means a composer.

The second piece of music is Emry’s song called “Man of the Open Road”. It’s supposed to sound just a little different, slightly off to our Western ears. I wanted him to sing it, and so you’ll notice the voice isn’t quite mine during the song.

It’s also longer and higher quality compared to the last few podcasts, so I hope to make up for the long break in between 4 and 5 with some more substance. It’s also the most violent chapter so far, so this is not for a younger audience, I don’t think.

If you listen and enjoy, or if you have suggestions, please don’t hesitate to let me know. I’m truly thrilled to be sharing my novel with you, and appreciate the feedback.

I’m also hoping to put up some .pdfs of chapters already read and (mostly) edited. So far there’s been one big change to the Brick story arc, but the rest have stayed the same. As soon as I make those changes, you’ll be able to read the chapters, too.